I’m not particularly planning to blog my way through this whole series of Doctor Who, but you never know. (I didn’t intend to do it with series 5, either, but I ended up doing all of series 5-8 and the specials, and that turned into a whole book.) So: what did I think of The Ghost Monument?
Eh, it was OK.
I just found time to watch Jodie Whittaker’s debut episode as the new Doctor. It would seem churlish not to put down a few thoughts about it while it’s fresh in my mind, and before reading what others have said. So here goes.
You Had Me At Hello — Mhairi McFarlane
I can’t remember now what made me read this, as it’s in a genre that I never bother with in the usual run of things: a romantic comedy, or I guess you could call it chick-lit, somewhat in the vein of Bridget Jones. I’m glad I did, though: it’s very well put together, with characters that seem like real people rather then archetypes or stereotypes, and I found myself feeling genuine sympathy for the narrator. The actual writing is much better than you usually find in this kind of book, and it all hangs together really well …
Usually, I tend to fill most of my spare moments with work of one kind or another. But this weekend, exhausted, I made a policy decision to ignore the manuscript awaiting my peer-review, my own manuscript that’s awaiting revisions in response to others’ reviews, and the sermon series than I need to start preparing; and I watched four films instead. It was fun.
Deep Space Accountant — Mjke Wood
This was a BookBub freebie, which I picked up because it was free and I found the conceit amusing.
I’m glad I did. It’s much better than it needed to be, offering some amusing characters, a genuinely nasty conspiracy and rather an exciting finale. As I write, the Kindle edition costs 99p. It’s not great literature, but it’s well worth picking up. Put it this way: I’d buy the sequel if it was also 99p, but I’m not going to pay £2.99 for it. Continue reading
Here is a YouTube playlist of my now-traditional top-ten list of the albums I’ve listened to the most in the previous calendar year. (See this list of previous entries.)
I listen much more to whole albums than to individual tracks, so each year I pick the ten albums that I listened to the most (not counting compilations), as recorded on the two computers where I listen to most of my music. (So these counts don’t include listening in the car or the kitchen, or on my phone.) I limit the selection to no more than one album per artist, and skip albums that have featured in previous years. Then from each of those ten objectively selected albums, I subjectively pick one song that I feel is representative.
Here they are in ascending order of how often I listened to them. Continue reading
Paul Simon’s fourth post-Garfunkel solo album, One Trick Pony, is the soundtrack to the movie of the same name. The film was pretty much ignored on release, both by audiences and by critics — its IMDB entry has only four critic reviews. But one of those is by Roger Ebert, who to my mind stands alone among movie critics, and he rightly recognised it as “a wonderful movie, an affectionate character study with a lot of good music in it”.