Deep Space Accountant — Mjke Wood
This was a BookBub freebie, which I picked up because it was free and I found the conceit amusing.
I’m glad I did. It’s much better than it needed to be, offering some amusing characters, a genuinely nasty conspiracy and rather an exciting finale. As I write, the Kindle edition costs 99p. It’s not great literature, but it’s well worth picking up. Put it this way: I’d buy the sequel if it was also 99p, but I’m not going to pay £2.99 for it. Continue reading
Here is a YouTube playlist of my now-traditional top-ten list of the albums I’ve listened to the most in the previous calendar year. (See this list of previous entries.)
I listen much more to whole albums than to individual tracks, so each year I pick the ten albums that I listened to the most (not counting compilations), as recorded on the two computers where I listen to most of my music. (So these counts don’t include listening in the car or the kitchen, or on my phone.) I limit the selection to no more than one album per artist, and skip albums that have featured in previous years. Then from each of those ten objectively selected albums, I subjectively pick one song that I feel is representative.
Here they are in ascending order of how often I listened to them. Continue reading
Paul Simon’s fourth post-Garfunkel solo album, One Trick Pony, is the soundtrack to the movie of the same name. The film was pretty much ignored on release, both by audiences and by critics — its IMDB entry has only four critic reviews. But one of those is by Roger Ebert, who to my mind stands alone among movie critics, and he rightly recognised it as “a wonderful movie, an affectionate character study with a lot of good music in it”.
I watched this on the recommendation of a colleague. It consists of eight 45-minute episodes, for a total of six hours, and tells a interestingly convoluted story involving time travel, body-swapping, a hippie cult and the FBI.
I thought it was sort of OK. I suspect I would have liked it rather more if it wasn’t called Dirk Gently, because it has very nearly nothing at all to do with the Douglas Adams books that it is supposedly based on.
Zeno and the Tortoise: How to Think Like a Philosopher — Nicholas Fearn
I’ve been keeping this book in the bathroom and reading it in short segments as circumstances dictate. You know what I’m saying. It’s a fascinating overview of the history of philosophy, told in 25 short chapters. Each is about a single philosopher (Wittgenstein alone gets two), and consists of a brief biographical sketch and an outline of his key ideas.
(I say “his” ideas, because every single philosopher discussed in the book is male. For much of the history of thought, that was the reality, and it’s right that the book reflects that. But it does seem odd that in the later chapters, influential female philosophers like Simone de Beauvoir and Elizabeth Anscombe are overlooked in favour of the likes of Jacques Derrida and even Richard Dawkins.)
The Enemy — Desmond Bagley
Bagley wrote about a dozen novels, all thrillers, and most of them excellent. They were written in the 70s and 80s, so they have dated in some respects — not least where then-cutting-edge technology is involved, but if you can overlook that they remain gripping and enjoyable.
The Enemy, alongside Running Blind and The Freedom Trap, is among the best of his books. (On the other hand, his last two novels, published posthumously, are the worst, and best avoided except for completion’s sake.)
As a long-time 2000 AD fan (I read it from Prog 1 and stayed with it for three or four years) I’ve been reading David Bishop and Karl Stock’s fascinating Thrill-Power Overload: 2000 AD — the first forty years [amazon.com, amazon.co.uk]. When I reached the section about the 1995 Judge Dredd film starring Sylvester “Rambo” Stallone, I was interested enough to watch it; and having seen that, I was interested to see the 2012 take starring Karl “Éomer” Urban.
So how do they measure up?