A few years ago, I wrote about the heavy metal band, Anne Heap of Frogs, that I was the guitarist for in my late teens; and then about Crossfire, the band that come out of that, and some other bits and pieces. But there is one more chapter to the story, and it’s much more impressive.
After singing with AHOF and Crossfire, Richard Whitbread went on to front a much more serious band, Metal Jester, which did well enough to get a gig at the Marquee — then, one of the top rock venues in the UK. The layout of the ticket suggests they were third on a bill of three, which would still pretty darned impressive, but as Richard elucidates below, they were actually the main act.
Last time, we looked at the first six Genesis albums, with Peter Gabriel in the lead singer role. When he left the band at the end of the Lamb Lies Down on Broadway tour, things did not look good for the quartet he’d left behind. But they decided to carry on without him, promoting drummer Phil Collins into the lead-vocal slot. Collins would go on to sing lead on eight Genesis albums, two more than Gabriel had — but were they good?
7. A Trick of the Tail (1976)
About a year ago, for reasons that escaped me then and still do now, I found myself writing a whole-career retrospective review of Whitesnake’s albums. They’re a band that I like, but who I never really loved. But for the last couple of weeks, I’ve been listening to Genesis, and I do love them.
Genesis, classic line-up (1975). Left to right: Phil Collins (drums), Steve Hackett (guitars), Tony Banks (keyboards, above), Mike Rutherford (bass, below), Peter Gabriel (vocals)
Since 15 albums is a lot to cover in a single post, I’ll be breaking this one up into two: the present post on the first six albums, with Peter Gabriel as lead singer; and a follow-up on the last nine, with Phil Collins singing.
Here is a YouTube playlist of my now-traditional top-ten list of the albums I’ve listened to the most in the previous calendar year. (See this list of previous entries.)
I listen much more to whole albums than to individual tracks, so each year I pick the ten albums that I listened to the most (not counting compilations), as recorded on the two computers where I listen to most of my music. (So these counts don’t include listening in the car or the kitchen, or on my phone.) I limit the selection to no more than one album per artist, and skip albums that have featured in previous years. Then from each of those ten objectively selected albums, I subjectively pick one song that I feel is representative.
Here they are in ascending order of how often I listened to them. Continue reading
Paul Simon’s fourth post-Garfunkel solo album, One Trick Pony, is the soundtrack to the movie of the same name. The film was pretty much ignored on release, both by audiences and by critics — its IMDB entry has only four critic reviews. But one of those is by Roger Ebert, who to my mind stands alone among movie critics, and he rightly recognised it as “a wonderful movie, an affectionate character study with a lot of good music in it”.
The opening and title track of Thin Lizzy’s enjoyable 1976 album Jailbreak begins:
Tonight there’s gonna be a jailbreak
Somewhere in this town
I’m going to go out on a limb and guess it;’s going to be at the jail.
They just didn’t think it through.
I’m not sure why I should suddenly find myself wanting to write about Whitesnake, but that’s the way the neurons crumble. For some reason, their songs are stuck in my head today, and I feel like their albums each deserve a paragraph or two — at least, until we get into the 2000s.
Whitesnake, classic line-up. Left to right: David Coverdale (vocals), Bernie Marsden (guitar), Neil Murray (bass), Ian Paice (drums), Micky Moody (guitar); front: Jon Lord (keyboards)
Whitesnake’s history is complicated, but to summarise: David Coverdale, having been plucked from obscurity to replace Ian Gillan as Deep Purple‘s lead singer, issued a couple of solo albums after Purple broke up. I really like these albums — White Snake (two words) and Northwinds — though I have to admit that critics have not been kind to them. These were not hugely successful, but did enough business that Coverdale formed a band to tour the Northwinds material. That band issued an EP, Snakebite, and stayed together to record their own material after the end of the Northwinds tour.