Lead — John Greenway, Andy Blacknell and Andy Coombe
This the densest and most economical business leadership I have come across. It’s a genre I am not particularly drawn to, and which is ripe for parody, but I read it because I know two of the authors. And I have to admit, I ended up finding it really helpful. That’s because, while most business books have One Big Idea, this one settles down (after an opening going over vision, values and goals) into an efficient format of four-or-five page chapters, each summarising the big insight from another book. So there are brief chapters on thing like the Four Stages of Competence and the Eisenhower Matrix, which give you the core of each of them without requiring you to plough through a whole book. Recommended.
The USA-specific counterpart to Bryson’s celebration of the English language, Mother Tongue, it’s about twice as long as the original volume because it also contains an episodic and selective history of the USA, viewed from a linguistic perspective.
To my mind, this makes it even more fascinating than Mother Tongue, because it ticks an important box for me: I am not very interested in history per se, but I am very much interested in the history of things: history of music, history of science, history of football, what have you. And what really fascinates me is seeing how these various History Of X‘s intersect. For example, Harry Govier Seeley published his classic paper “On the classification of the fossil animals commonly named Dinosauria” in the same year as the Football League was created, Edison’s phonograph was first demonstrated in London, and Erik Satie’s Gymnopedie was published — 1888. Bryson is really good at tying together such disparate threads, and what emerges is a kind of synthesized picture of a nation through nearly 400 years. Continue reading →
This is a novel that tries to get to grips with how things would actually work if there were anthropomorphic rabbits of the kind that turn up in fiction from Alice in Wonderland to Bugs Bunny. Rabbits are human-sized, walk upright and talk, and have a distinctive culture. They live uneasily alongside humans, using some of the same facilities but often pushed to the fringes of society, with obvious parallels to apartheid South Africa or some parts of the Deep South of the USA in the 1950s.
It’s an interesting setup, but Fforde doesn’t seem to know quite what he wants to do with it, so we end up with a plot that is half a story of Forbidden Love between man and rabbit, and half 1984-style surveillance dystopia. In the end it all rather comes crashing down. I feel like this could have been much better if the ideas has been left to brew for another six months before the actual writing began.
I usually think of this as my second favourite Austen (after Pride and Prejudice, naturally), but on my re-read of all six, I found to my surprise that I didn’t enjoy it as much as I had Sense and Sensibility. Perhaps it’s partly because I had overdosed on screen adaptations recently: the Kate Beckinsale and Gwynneth Paltrow versions from 1996, the 2020 film with Anya Taylor-Joy, and the 2009 Romola Garai TV series. I really enjoyed all of them, but I guess having seen four rather different perspectives on the novel, the novel itself didn’t really have much more to show me.
I’m making my way once more through all six of Austen’s completed novels, and was interested to see how this one would hold up. Although published posthumously it was actually the first one she completed, and bears many of the marks of juvenilia — including a lot of pop-culture references that are now lost on us, and were probably already outdated by the time it was published fourteen years after completion.
One of the better ways to approach Chesterton is through a collection like this one, consisting of 30 or 40 or so short, self-contained pieces in which he thinks about things he has seen or done. He is always a keen observer, quick to see beneath the surface of things, and able at drawing analogies between trivial occurrences and the most profound matters. And of course, he is fun.
The pieces collected as Tremendous Trifles vary rather wildly in quality, but in any one of them fails to appeal, there’s always the knowledge that the next one will be along soon. It’s the second time I’ve read this (see my notes on the first time), and won’t be the last. Continue reading →
Elton doing what he does best, colliding a cast of somewhat stereotypical characters (the corrupt politician, the drugged-out singing star, the teenage runaway) and working with the sparks that fly — and doing so with rather more craftsmanship than he is often credited with.
I don’t quite remember what the specific stimulus was for my starting to re-re-re-read Lewis’s classic Narnia books. But this must be at least the tenth time through, going back to when I was eight or nine. (These are often referred to collectively as “The Chronicles of Narnia” but that it exactly what they are not. They are stories, with no pretense to historic verisimilitude or exhaustiveness.)